There're many other things like this, shouldn't be ignored if you want to make a nice comment, even though as an American viewer you might miss a lot of the story by lack of the culture background, but that's not the reason that you can comment it as anyway you want without even really READ the film. This is just one of the details that shows how much story telling skills and rhythm control of plots. When Kamaji was telling Chihiro how Haku turned up to this world before just like what she did, the "camera" panned to where the little rat(changed from the fat baby)was showing off to soots by putting his foot into the spell melted print while Kamaji's introduction about Haku's background is also getting across to the audience. Apart from that, did you ever notice that some "camera language" was used very well to tell the story in a more entertaining and better pace.e.g.
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While Chihiro was walking towards the garden where Haku told her to meet him, she passed some stairs where she can see an island, there are some house on it, she stopped for it for a little while, that, represents her longing to human world, her own world, this kind of details can be ignored by many people but they don't mind putting it in to make the whole story richer, more truthful, full of power of humanity. It is a rich story and I can see the efforts creators put into it in many spots and frames. It is a comely tale that express the creator's thoughts in some way, whilst shining as a attractive animation piece with so many details that you might have ignore if you were careless. This is not a piece to just entertain, the creator has put his own feeling and I believe life experience and the fear always buried in children's mind into it. Zachary HarperĪctually I dislike his or her comments badly. Chihiro must rely on Haku to save her parents in hopes of returning to their world. The owner of the bathhouse is the evil witch Yubaba, who is intent on keeping all trespassers as captive workers, including Chihiro. At the center of the town is a bathhouse where these creatures go to relax. In addition, the theme park turns out to be a town inhabited by demons, spirits, and evil gods. She runs to the restaurant and finds that her parents have turned into pigs. She meets a boy named Haku who tells her that Chihiro and her parents are in danger, and they must leave immediately. However, Chihiro refuses to eat and decides to explore the theme park a bit more. When her parents see a restaurant with great-smelling food but no staff, they decide to eat and pay later. They go through the tunnel and find an abandoned amusement park on the other side, with its own little town. Her parents decide to stop the car and explore the area. On the way to their new home, Chihiro's father makes a wrong turn and drives down a lonely one-lane road which dead-ends in front of a tunnel.
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Chihiro and her parents are moving to a small Japanese town in the countryside, much to Chihiro's dismay.